design_ON
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19 Sep 2026
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21 August 2026
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11 June 2026
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May 4 2026
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12 Feb 2026
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11 Feb 2026
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23 November 2025
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22 November 2025
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17 November 2025
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16 November 2025
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10 November 2025
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27 September 2025
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3 May 2025
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15 March 2025
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14 December 2024
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23 November 2024
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17 July 2024
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June 29, 2024
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May 11, 2024
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12 April 2024
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6 April 2024
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7 June 2022
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3 June 2023
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2 March 2023
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2 November, 2022
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22 October, 2022 at Zaal 100
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15 September, 2022
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8 September, 2022
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February 9, 2022
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26 November,2021
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18 September, 2021
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13-20 December, 2020
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13-18 October 2020
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27 August 2020
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15 February 2020
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8 February, 16:00
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12 January, 2020 16:00 - 0:00
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8 December 2019, 16:00
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17 November 2019 at 16:00
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15 September 2019 at 16:00
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Sunday 7 July 2019 - 16:00
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24 May 2019
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19 May 2019
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12 - 18 May 2019
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August 4 2018
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29 July 2018
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21 July 2018
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July 15 2018
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July 7 2018
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19 June 2018
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16 June 2018
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9 June 2018
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27 May 2018
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19 May 2018
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13 May 2018
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5 May 2018
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5 May 2018
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25 April 2018
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21 April 2018
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6 April 2018
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1 April 2018
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24 March 2018
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17 March 2018
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18 February 2018
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17 February 2018
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11 Feb 2026
This is the first of two concerts where DNK Amsterdam present Strange the Grass Grows, an LP which is the culmination of a two year collaboration between Seamus Cater and Fredrik Rasten
Seamus Cater - concertina and voice Fredrik Rasten - guitar and voice
Strange the Grass Grows is the first album of the Anglo-Norwegian collaboration. The album takes three of the English and Scottish ballads and augments them with three original pieces written by Seamus, which try to represent European folk tales previously unwritten as songs. Sweet Lemeny, Long Lankin and Death and the Lady are accompanied by Beowulf’s Arm, a short rendering of Seamus Heaney’s translation of Beowulf, The Podhajce Goat, a balladic telling of Olga Tokarczuk’s mesmeric folktale from The Books of Jacob, and For The Ear That Is No More, a story of the blacksmith that Pythagoras happened upon giving him his eureka moment into the physics of instrument tuning. For Death and the Lady the duo is joined by trumpeter Torstein Lavik Larsen who breathes longing tones into this 14th century milestone of English folklore.
A striking factor in the music is a deep resonance in how the instruments and voices blend. Focusing on the careful harmonic and timbral fusion of just intonation tuning, songs evolve in painterly strokes and keep developing in a kind of ‘deep listening’ between the players. Tones which may sound electronic are always acoustic or sometimes electro-mechanical. Rasten is active in the field of just intonation and microtonal music, and for this project Cater tuned a 1926 London made Wheatstone concertina in a system which allows 21 distinct tones to the octave. Informed by a contemporary approach to composition, the duo tread paths between two schools of revivalists, each redefining arts from the ancient past; the collectors who anthologized folk song, and Helmholtz and Harry Partch who breathed new life into the Greek tunings of old. In this meeting of times, Seamus Cater and Fredrik Rasten create and recreate stories in sound and word.
Suggested donation €8
Entrance from 20:00 music at 20:30
Location: Rijksakademie van Beeldende Kunsten Sarphatistraat 470
Please rsvp to dnkdays@gmail.com
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